Editing
From footage to film
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
Cut with purpose. Finished on time.
LILIAN LUPASCO is one editor, a fixed quote, and a finished film. We handle the edit, the grade and the retouch, and we hand the final files over on the day we said.
NDA by default
We would rather say "two weeks" and land in ten.
On-time habit
One email thread from first brief to final files.
Reply by email
One person answers your emails, not a queue.
No middlemen
Your footage stays yours. Always.
01 — Services
Three ways we can help your project this month
No hidden fees and no mystery dates. Each service starts with a written brief and a fixed quote you can plan around.
Color
A look of your own
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Photo finishing
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
A handful of recent projects
03 — The studio
One editor. One standard. Yours.
LILIAN LUPASCO is a one-person post house, run by LILIAN LUPASCO out of Maşcăuţi, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
Volume is not the goal. A clear schedule, a written brief, and a delivery date we keep — that is the method.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
12Countries
240+Projects
9 yrsIn post
36Repeat clients
04 — How it works
Four steps, no surprises
Scope
We write down what we will and won't do, confirm the footage list, and lock the deadline before any work starts.
Handover
Masters, every format you asked for, and project folders you can navigate.
Brief
Send footage or links, tell us the goal and deadline. We confirm scope and ask the two or three questions that matter.
Deliver
Final payment, master files, and every format and caption you asked for.
05 — Journal
Notes from the timeline
Making a film feel bigger than its budget
The editing choices that stretch small productions without expensive pickup shots.
Read the piece
Grading for the story, not the trend
The look that fits the story outlasts the look that fits the season.
Read the piece
What dodge and burn actually does
The tool that changes light, not pixels, and why it is the safest way to shape a face.
Read the piece
06 — Client words
Notes clients left behind
“
He kept the schedule honest even when the footage kept growing.
Elena KuznetsovaProducer, Vilnius
“
Three projects, three on-time deliveries. I have stopped worrying about the deadline entirely.
Lena IvanovaChannel manager, Riga
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Have a deadline and a pile of footage?
Share the footage and the deadline — a fixed quote comes back within one working day.